From Idea β Script β Screen
Sketch Comedy to Film is a practical, hands-on course designed to guide students through the full creative journey of making a comedy sketch β from the first idea all the way to a finished filmed piece. Students learn how sketch comedy works, then how to translate that idea to screen before actually filming and editing that idea. So by the end of the course, students donβt just understand comedy & filmmaking β theyβve practiced it.
How the Course Works
1. Online Course (5 weeks)
A small group of up to 10 students come together to take part in a guided online programme covering:
How sketch comedy works (structure, escalation, payoff)
Turning ideas into clear outlines and scripts
Translating comedy from page to screen
Filmmaking concepts
Throughout the course, students write and submit sketches
2. Filming Day (Week 6)
At the end of the online course comes a hands-on filming day.
As a group, students:
collaboratively select a small number of sketches
rehearse, film, and edit them together
experience what a real sketch filming day looks like
3. Editing - (Week 7)
After filming, students take part in a guided editing phase.
learn the fundamentals of editing
see how performances and jokes change in the edit
collaboratively shape the final versions of the filmed sketches
Students finish the course with completed sketches and a practical understanding of how to brainstorm, writer, shoot and edit sketches.
β οΈ What to Expect β οΈ
Please read before booking β this section explains how the course actually runs.
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π This course is designed for students aged 16 and over.
The filming process requires sustained focus, responsibility, and collaboration.π Filming is an active, focused, hands-on day.
Students should expect to be involved throughout β contributing ideas, being quiet and focused during takes, knowing their role, and working together to solve problems as they arise. Filmmaking is collaborative by nature: when everyone gives the sketch their full attention, the final work is stronger.π You need to be open to the full process.
Students should be interested in making sketches β not just performing in them. That said, if a student is primarily interested in acting, we will accommodate this as much as possible while still keeping the day collaborative and fair to the group.π Attendance matters.
To take part in the filming day, students are expected to engage with the online course and submit work during the programme.π Professional behaviour is expected.
Filming requires listening, patience, and respect for othersβ roles so the group can work effectively together. -
π This is a collaborative, guided process.
If a sketch is selected to be filmed, the student who wrote it becomes the creative lead on that piece, as much as they are comfortable doing so.π Creative decisions are shared and guided.
Students make creative choices together with clear guidance throughout. The facilitator oversees the filming process, ensuring the sketch is captured properly for editing and that the shoot runs smoothly. Students learn how decisions are made β not just what decisions to make.π Ideas are explored, not judged.
Sketches are selected based on practicality, time, and what best serves the group on the day β not on whose idea is βbetter.β Not having a sketch filmed does not reflect ability or effort, and is a normal part of creative production.π Sharing finished work
The final filmed sketches created during the course may be shared on our website and public platforms (including YouTube), as part of showcasing the work produced through the programme. Students will always be credited for their involvement, unless they prefer not to be. -
π Students become the crew.
There is no external film crew. Students take part across acting, sound, lighting, assisting, and problem-solving on set. Everyone is actively involved in making the sketch work.π You donβt need technical knowledge in advance.
Part of the learning is understanding how filming actually works β including why scenes are shot in full, how coverage works, and where creative decisions really happen (often in the edit).π No previous experience is required.
Curiosity, collaboration, and willingness to take part matter far more than technical skill. -
π Not every sketch will be filmed.
Depending on time and complexity, we may film only one or two sketches on the day. This is intentional β the focus is on quality, learning, and real experience, not rushing to shoot everything. We would rather make one strong sketch than two rushed ones.π This course is best suited to students who are curious, collaborative, and interested in how comedy and filmmaking are actually made β not just the final performance.
Practical Details
Online Sessions
The online portion of the course takes place remotely. Students take part from home and meet online once per week. Each online session will run for approximately 2.5 hours, with some sessions running slightly longer / shorter, depending.
In-Person Filming Day
Filming is done using professional camera and sound equipment, with the facilitator operating and guiding the technical setup. The filming day takes place in person, with all students attending the same location. The filming location will be a central, accessible venue based on the cohortβs region and will be confirmed in advance.
Casting & Performing
Casting is collaborative and handled within the group. Students may perform in sketches, take on crew roles, or do a combination of both. The focus is on making the sketches work as a group, rather than formal auditions or fixed roles.
Location & Timing
The in-person filming day will run for approximately 6 hours. Students should plan to be present for the full day and bring a lunch.
Safeguarding
The facilitator is Garda Vetted.
Cost + Dates
Cost is β¬399 but Iβm running the first cohort at β¬249 to keep numbers small and make sure every student gets strong feedback and support. Available dates are shown on the booking page. Places are limited to 10 students.
Weekly Schedule
Wk 1 β How Sketch Works + Generating Ideas
Primary focus: Understanding the form
What a sketch is (and isnβt)
Comic engines, escalation, payoff
Watching & breaking down example sketches together
Group idea generation
Outcome by end of week: Everyone understands what theyβre aiming for and has multiple rough ideas.
Wk 2 β Ideas to Clear Outlines (+ Early Writing)
Primary focus: Turning instinct into structure
Pitching ideas (continues every week)
How to spot a workable idea
Turning ideas into clear outlines
Beginning to write with the camera in mind
Outcome: Each student has one strong outline (or is close).
Wk 3 β Writing for Screen
Primary focus: Making sketches playable
Writing lean, filmable scripts
Dialogue vs. Action
Fixing pacing, clarity, endings
Beginning to write with the camera in mind
Outcome: Full draft scripts that can be realistically be filmed
Wk 4 β From Page to Screen
Primary focus: What a focused set looks like
Blocking, movement, performance, crew roles
What directing actually means
How to shoot for the edit and why so
Filming location?
Outcome: Students stop thinking like writers only and start thinking like filmmakers.
Wk 5 β Pre-Production & Selection
Primary focus: Getting ready to shoot
Read and select final sketch
Assign cast & crew
Set location
Production day walk through
Set expectations
Outcome: Everyone knows their job
Wk 6 β In Person Filming Day
Primary focus: Hands on experience
Rehearse scenes
Film
Staying focused under shoot conditions
Solve problems together
Experience the pace and pressure of a real shoot
Outcome: Payoff week, everything weβve been working towards
Wk 7 β Edit
Primary focus: Where past decisions come together
organise, set up, sync and prep footage captured
show how editing software works
choice of where to cut affects the project
see how comedy changes in the edit
Outcome: Students understand how choices made weeks ago affects edit today.